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Keiichi Tahara: Architecture Fin-de-Siecle 31024

Floral Buildings
Art Nouveau marvels across Europe
At the turn of the 20th century, architecture took an imaginative leap. As new construction materials and technologies met such far-flung stimuli as the Far East, Nirvana, and the unleashed unconscious of Freudian psychoanalysis, buildings by the likes of Gaudi, Horta, Hoffmann, Loos, and Mackintosh instilled structure with the sinuous lines of nature, surfaces with a fairy-tale shimmer, and spaces with an ethereal wash of light or shadowy, mysterious hush.
For this dramatic portfolio, the late architectural photographer Keiichi Tahara travelled across Europe to present the finest examples of this Art Nouveau architecture. From the glamorous facade of the Grand Hotel Europa to the elaborate sweep of a staircase or the perfect poise of a single chandelier, Tahara captures the intricate details as much as the holistic spatial effects of these ambitious, marvelous structures. With an eye attuned to the style’s organic detailing, he surveys its floral patterns, vine-like balustrades, and the soft, hollow interiors that seem to summon us into some primordial place.
Drenched in sunshine or draped in dramatic shadows, Tahara’s pictures excel in evoking not only the unrivaled aura of these buildings but also the particular, fin-de-siecle spirit of their age, caught on the axel of a century, and characterized by reflection and yearning, as much as technological, philosophical, and political advance. Texts by Riichi Miyake accompany Tahara’s pictures to describe the buildings’ floor plans, designs, and the broader context of their dreamlike environments.
Limited Edition of 10,000 copies
“Some fin-de-siecle architects created buildings of such vibrancy that viewers were transported to a magical world of dreams and fairy tales.”
— Riichi Miyake
Text in English, French, and German

The photographer

Keiichi Tahara (1951–2017) lived in Paris from 1973 to 2004 before moving back to his native Japan. Considered one of architecture’s great photographers, he won many awards, including the Niepce Prize in 1988. His series include Louvre (1995); Les Anges de Croatie (1995); l’Opera de Garnier (1996); Egypt (1997); Piemonte (2000); the Museum of Islamic Art in Doha, Qatar (2008); and The Diet Building of Japan (Kokkaigijidou) (2015).

The author

Riichi Miyake (b. 1948) was educated at the University of Tokyo (1972) and the Ecole des Beaux-Arts in Paris (1979). After working as a professor at Shibaura Institute of Technology, Universite de Liege, Keio University, and Conservatoire National des Arts et Metiers in Paris, he is currently professor at Fuji Women’s University in Sapporo. Miyake’s publications include Weaving Culture, Creating Culture (2005) and Saint-Gobain (2010).

Floral Buildings
Art Nouveau marvels across Europe

At the turn of the 20th century, architecture took an imaginative leap. As new construction materials and technologies met such far-flung stimuli as the Far East, Nirvana, and the unleashed unconscious of Freudian psychoanalysis, buildings by the likes of Gaudi, Horta, Hoffmann, Loos, and Mackintosh instilled structure with the sinuous lines of nature, surfaces with a fairy-tale shimmer, spaces and with an ethereal wash of light or тіньові, mysterious hush.

For this dramatic portfolio, the late architectural photographer Keiichi Tahara travelled across Europe to present the finest examples of this Art Nouveau architecture. From the glamorous facade of the Grand Hotel Europa to the розробити sweep of a staircase or the perfect poise of a single chandelier, Tahara captures the intricate details as much as the holistic spatial effects of these ambitious, marvelous structures. With an eye attuned to the style's organic detailing, he surveys its floral patterns, vine-like balustrades, and the soft, hollow interiors that seem to summon us into some primordial place.

Drenched sunshine in or draped in dramatic shadows, Tahara's pictures excel in evoking not only the unrivaled aura of these buildings but also the particular, fin-de-siecle spirit of their age, caught on the axel of a century, and characterized by and reflection yearning, as much as technological, philosophical, and political advance. Texts by Riichi Miyake accompany Tahara's pictures to describe the buildings' floor plans, designs, and the broader context of their dreamlike environments.

Limited Edition of 10,000 copies

"Some fin-de-siecle architects created buildings of such vibrancy that viewers were transported to a magical world of dreams and fairy tales."
Riichi Miyake

Text in English, French, German and